PART 1 westbound influence and pressure in the history of chinaware and lacquer in the 19th and twentieth Century should non be dismissed, because they are often the impetus, if non the main driveway force, of stern internal events. mainland mainland China and Japans testify situation and internal forces, then, crack how each country responds to these westbound pressures and influences. China, already under the bridge of the Manchurian Jun Hsien rule, wrestled repeatedly with horse opera values. Japan, on the other hand, perchance more self ensure with its wholly indigenous culture, could organize Western methods while preserving Nipponese values with less violence. Opium vie (1840s, China) 1st real seed of pressure. China: * Before this, mutual lie with caused no pressure. Start of geological era of failure. West starts to see China as barbaric. * Foreign criminals let off lightly. Condescension. * Top traders export opium to redress balance of payments. Govts didnt intervene. * China in turn sees this offense as barbaric. Sees feng Chien West as militaristic and superstitious cos of religion (contrast to Jun Hsien) * Lin Tse Hsu forced to retaliate. In vain. * Led to bitter unequal treaties. Forced to open up more ports for trade they didnt need, and had to affiliate extrality. * After this, continual Jun Hsien - Fen Chien value clash. Mutual disrespect. Japan: * Perry arrives in 1853, just after Opium War.

* Japanese also Fen Chien. * endemic disease (no struggle of nationalism) * Fears Western go steady after seeing horrendous defeat of China, and wants Western respect * built-in tradition of borrowing and copy in culture * Allows for adapting of Western methods, not necessarily with their values. China: Wrestling amidst Jun Hsien and Western values extreme. All or nothing. Taiping Rebellion (1850s - 1860s) * Hung Hsiu Chuans Christian driving force is 1st... If you want to loaf a wide of the mark out essay, order it on our website:
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