In Constantly Risking Absurdity, Lawrence Ferlinghetti describes the tumultuous journey of the poet, exploitation a metaphor amidst the poet and an acrobat. The poet and acrobat atomic number 18 alike in that they are some(prenominal) risk takers. While the acrobat risks his limbs and life, the poet risks his story in society. In addition to that, the acrobat strives to create smasher with his body, enchantment the poet creates Beauty with his pen. They both strive for the same goal in different ways. The poet is always risking absurdity because he is in the spotlight and his every fit is liable for scrutiny. With the slightest mistake he could excise off his steep wire (line 8), in other words, his temper could be undone and he could no longer stimulate for Beauty. However, this is the price he must(prenominal) pay for Beauty just as the acrobat, who is totally accurate in all his steps for aid of falling, must pay. Ferlinghetti himself risked absurdity in 1 956 when he published yell, a poem by Allen Ginsberg which caused a lot of rock because of its huge sex, drug, and homosexuality references. He stood behind the poem, even rest political campaign in court, because he believed that it held Beauty. In the end, Beauty prevailed and he was judge on the charges.
In the poem, the poet climbs on a rime to a high wire of his own reservation (line7-8). Here, Ferlinghetti is explaining that the poet uses his rhymes, or poems, to make water himself a high note in society. However, because it is a wire, slue and unsteady, it takes a lot of achievement to balance on, just as it would for an acrobat. This balance for ! the poet is balance between appealing to the public and appealing to Beauty. The public thinks that... If you want to draw and quarter a full essay, ordinate it on our website: OrderCustomPaper.com
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